Front Box Portable Test Charts

CML FrontBox chart

The CML chart can be used for analysing the responses of different cameras under varying lighting and other conditions. Some cameras struggle with Blue, others with Red and still others with the secondary colors. Current lighting equipment, some discontinuous, some with spikes and uneven output, creates even more problems.

View Data sheet for CML FrontBox chart

OneShot^®

— (matte surface) —

• Invaluable Basic chart for use as an on-the-set reference in high pressure and time sensitive shooting environments.
• Provides a colorist with the full dynamic range of a scene, plus DSC Precision colors and skin tones
• Original OneShot is printed with a matte surface to reduce obvious reflections

OneShot^® Plus

— (“AcuFlect” gloss surface) —

• The DSC Labs OneShot chart is designed to capture as much camera and scene lighting information in one shot as possible so that dailies look as close to the DP’s intent as possible.
• Provides a colorist with the full dynamic range of a scene, plus DSC Precision colors and skin tones
• DSC’s “AcuFlect” wide dynamic range, washable gloss surface, eliminates unreliable matte chart flare. Film-style production schedules don’t generally allow much time to shoot a glossy chart and eliminate reflections, but matte surface can be too delicate for field production

ChromaMatch^® Pro

• 6 Vector Colors and 18 intermediate colors
• 4 Skin tone colors
• 6 wide gamut colors
• DSC 11 – step grayscale
• 100 IRE white and true black chips
• 16:9 (1.78) and 4:3 framing bowties plus motion picture framing lines for 2.35, 1.85 and 90% of 1.85.
• Pouch
• Digital file
• DSC’s bow-tie expanded BackFocus pattern on reverse side

ChromaMatch^® Standard

• 6 Vector Colors and 6 intermediate colors
• 4 Skin tones colors
• 6 wide gamet colors
• 5 step grayscale
• Multimple framing lines
• Pouch
• Digital file
• DSC’s bow-tie expanded BackFocus pattern on reverse side

College

• 11 step crossed grayscale
• Center “True Black” with adjacent 100 IRE chips
• 16:9 and 4:3 framing
• Instructions
• DSC’s bow-tie expanded BackFocus pattern on reverse side

Standard

• Six CamAlign primary color chips
• 11 step crossed grayscale
• 16:9 and 4:3 framing
• Instructions
• DSC’s bow-tie expanded BackFocus pattern on reverse side

Professional

• Six CamAlign primary + Four skin tones
• 11 step crossed grayscale
• 16:9 and 4:3 framing
• Instructions + color and grayscale values
• DSC’s bow-tie expanded BackFocus pattern on reverse side

Professional Plus (12+4)

• Six CamAlign primary + six Intermediate color chips
• 4 skin tone correction chips
• 11 step crossed grayscale
• 16:9 and 4:3 framing
• Instructions + color and grayscale values
• DSC’s bow-tie expanded BackFocus pattern on reverse side

The Hawk QCC (Quick Check Chart)

• White patches—for white balancing and knee setting
• Gamma at 18% gray—for accurate iris or lighting adjustment
• Black patches—for scene black and flare checking
• Flesh tones—for checking consistency of flesh tones
• Mid-gray strip top and bottom—to monitor evenness of lighting
• 5.5 x 3” neutral white panel—for white balancing (Back)
• 5.5 x 3” “warming” panel (Back)
• FrameAlign chart that displays different framing options (Back)
• Write-on area—to note slate information (Back)

CineZone

• Resolution zone plates
• CamWhite Slate on the rear with framing options and scene info