Tech Tips

Veteran marine wildlife cinematographer’s tips, that might help achieve a success

TechTip from Tom Campbell

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Are Six Colors Enough?

TechTip from Greg Foad
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Continuous Light Sources

TechTip from David Blackham
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DSC OneShot Calibration chart in use with Black Magic Cinema Camera and DaVinci Resolve 11

TechTip from Perrone Ford

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Matching Multiple Cameras

TechTip from Art Adams
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Establishing a repeatable baseline reference

TechTip from Tony Salgado
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Selecting Production Parameters

TechTip from Dave Adams
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“Exposure for Sony S-Log with New DSC Chart”

Tech Tip from John Sharaf
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“Real World Use of DSC’s Fairburn 3-D Chart”

Tech Tip from Gary Adcock
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Sony F900 Tech Tip

Tech Tip Greg Foad
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A ChromaDuMonde Tech-Tip

Tech Tip from Michael Caporale
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Color Bar Symmetry

Tech Tip from Charlie Goldman
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Abberation Issues

Tech Tip from Mike Brennan
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Creating a Look

TechTip from Robert Goodman
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Green Screen Technique

Tech Tip from Art Adams -2
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Motion Artifacts

TechTip from David Blackham -2
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Tips on HD

TechTip from David Mullen
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Noise, Green, Cyan, and Saturation

TechTip from User Database Reports
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“Getting the Most from your HD Video Camera Calibration and Exposure Control”

Tech Tip from Wayne Norton
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Varicam Detail

TechTip from Bruce Alan Greene
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Back Focus

TechTip from Reid Robertson
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Red One and CMOS Static

TechTip from D. Gregor Hagey, CSC
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Matching the Sony EW-1 with more costly Broadcast Cameras

TechTip from George Walkley
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Do You Waveform Monitor the Lutted Image or the S-Log?

TechTip from Dan Mulligan
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Compromise between Color Accuracy and Signal Noise

TechTip from Walt Lindblom
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Skin tone Waveform Levels

TechTip from C. R. Caillouet
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Sean Fairburn’s “Tech Prep Q’s for HD Shoot”

TechTip from Sean Fairburn
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“Are you making the most of the White Balance option on your camera?”

Tech Tip from Dale Franklin
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